Table Of Content
- Christian teen film 'Identity Crisis' explores faith, identity in social media-driven world
- Arizona Gov. Katie Hobbs vetoes bill requiring abortionists to save babies born alive in botched abortions
- 658 house cartoon stock photos, vectors, and illustrations are available royalty-free for download.
- DisneyTips.com Your Guide To A Great Disney Vacation
- Mid-21st Century Modern: That Jetsons Architecture
- House Cartoon royalty-free images

These same shots were often shot in one take because film was expensive and the Disney Brother’s budget was limited. When a live action sequence called for an outdoor shot, Walt and Roy would make due with just about any location they could find - from their uncle Robert’s yard (seen in Alice’s Day at Sea) to vacant lots where they could film for a small fee. It was clear that the duo would need a larger studio lot with a soundstage. It was then (late in 1925), that Walt an Roy began to consider purchasing a lot on Hyperion Avenue in the Silver Lake district of Los Angeles. After their 12-and-a-half-minute “demo-reel” won the attention of cartoon shorts distributor Margaret Winkler, Walt and Roy would need to rent an office space in order to house their expanded staff and meet their production schedule. The brothers hired their very first employee - Kathleen Dollard to “blacken” (or, darken) their pencil lines.
Christian teen film 'Identity Crisis' explores faith, identity in social media-driven world
Mike Judge’s art (he also created “Beavis and Butt-head”) is something less than elegant; some of his characters seem to lack ... Anatomy, to be held up only by the ink they’re rendered in. But the awkwardness echoes characters who are themselves awkward, often confused by the world or reaching for something beyond their grasp. It’s impossible to imagine a live version of Bobby Hill better than the animated one — and, of course, he couldn’t be played by Pamela Adlon. But the first straight-ahead, contemporary cartoon sitcom, also from Hanna-Barbera, is 1972’s “Wait Till Your Father Gets Home,” a generation-gap comedy with Tom Bosley (soon to play Richie Cunningham’s father on “Happy Days”) as a man unable to make sense of his children.
Arizona Gov. Katie Hobbs vetoes bill requiring abortionists to save babies born alive in botched abortions
"We mourn for the loss of the children who would have been protected, and the mothers who would have received life-affirming help to address their holistic needs, under Arizona's strongest pro-life law," she said. If passed, the 15-week abortion restriction enacted in 2022 would replace the near-total abortion prohibition as the law of the land in Arizona. Voters in the state are slated to weigh in on a ballot measure that would establish a constitutional right to abortion if passed. Mike Luckovich is the award-winning editorial cartoonist for The Atlanta Journal-Constitution. He has twice been recipient of the Pulitzer Prize for editorial cartooning, in 1995 and 2006. Mike joined The Atlanta Constitution staff in 1989, and he rarely cleans his office.
658 house cartoon stock photos, vectors, and illustrations are available royalty-free for download.
After moving out from his uncle’s house, Walt and his brother, Roy, bounced from the Olive Hill apartments to a second-story room at Charles and Nettie Schneider’s boarding house. In order to fund the Alice Comedies through Disney Bros. Cartoon Studio, the brothers would share the room and eat every meal at a cafeteria from late 1923 to July 1925.
DisneyTips.com Your Guide To A Great Disney Vacation
Owned by his Uncle Robert and Aunt Charlotte, Walt rented his Uncle’s garage space to set up a makeshift studio for $1 a month. If you’re planning a trip to Southern California any time soon, here’s how you can visit each Los Angeles home belonging to Walt Disney history! From brief apartment stays to a million-dollar mansion, Disney fans can track the humble cartoonist’s rise to the top through the first half of the last century.
Mid-21st Century Modern: That Jetsons Architecture
During 1924, a total of ten Alice one-reel short films were created inside Disney Bros. Studio on Kingswell Avenue, owing largely to a demanding schedule imposed by Margaret Winkler’s fiancée Charles Mintz. Other former Laugh-O-gram staff would soon join Ham’s move to California and help with the production of the Disney Brother’s Alice in Cartoonland series. You can go back, prehistorically, to Hanna-Barbera’s “The Flintstones,” the “modern Stone Age family” comedy, which premiered in 1960 on ABC. That vacation home – Mr. Spacely’s “old fishing cabin” — is one of my favorite examples of Jetsonian architecture. Probably because the building bears a striking resemblance to the villain Vandamm ‘s hide-out in Alfred Hitchcock’s 1959 film North By Northwest.
DISNEY BROTHERS STUDIO
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Virginia’s father, Walt Disney, Virgina Davis, and Roy O. Disney film a live-action sequence on a vacant lot at Rodney and Hollywood Boulevard. The space cost the Disney Brothers $10 a day, and was just a short distance from their Kingswell Avenue studio. It was used for several live action portions from Alice Hunting in Africa and Alice the Jailbird (pictured). As for the Alice Comedies, the live action sequences were often shot unrehearsed as Walt directed Alice from behind the camera.

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That vacation home – Mr. Spacely’s “old fishing cabin” — is one of my favorite examples of Jetsonian architecture. Create a commenting profile by providing an email address, password and display name. You will receive an email to complete the registration. Please note the display name will appear on screen when you participate. "Their goal is to repeal Arizona's 15-week abortion law and replace it with a constitutional amendment that would allow unlimited painful late-term abortions in the fifth, sixth, seventh month of pregnancy and beyond," she added.
states that may have abortion referendums in 2024
This small “museum” has attracted numerous groups, organizations and individuals over the following decades. During 2016, the Chicago based non-profit “Walt Disney Birthplace” group organized tours of the facility. In 2016, D23 and Mickey Mouse would pay a visit to his creator’s first studio address. Ben would promptly write the Walt Disney Archives with an inquiry confirming this new information and also inquiring about assistance to preserve the site. A few months later in June, Ubbe Iwerks would move from Kansas City to assist with animation, and Walt would begin to focus on directing and story development.
And just as we’ve seen mention of the Jetsons become a kind of shorthand way to talk about the technology of past futures, so too has “that Jetsons look” eclipsed Googie as the descriptor of choice for people talking about architecture from the futures that never were. People may think you’re saying Google, when you mean Googie. But fifty years after its debut, there’s no mistaking the Jetsons landscape. Much like both “Elroy’s Pal,” and “Elroy’s TV Show,” this episode ostensibly gives viewers another look behind the scenes of television production. George and Astro are involved in a misunderstanding (isn’t that always the way?) where they think they’ve witnessed a robbery.
Drawing also makes the characters one with their universe; the look of the Simpsons or the Harpers or Hills is also the look of their home, their street. One noticeable advantage of cartoon settings is that they’re less aspirational than their live-action counterparts. You could write a paper on what’s on the kitchen counters. But as I pointed out in my post about Googie architecture from last year, the artists and animators working on “The Jetsons” didn’t really need to leave their own backyards for inspiration. The Hanna-Barbera Studio which produced “The Jetsons” was in Hollywood and in the late 1950s and early 1960s buildings all across Los Angeles had that mid-20th century modern look that would become identified as Jetsonian.
The humor can be a little dated — although Jack Burns’ conspiracy-minded racist neighbor feels unsettlingly current — but the design, with watercolor furnishings floating on bright fields of color, is bold and still fresh. Its structure is that of a single-camera sitcom; indeed, its pilot script, first realized in animated form as a segment on “Love, American Style,” also was filmed in a live-action version, starring Van Johnson. Where most every sitcom or drama looks more or less like most every other sitcom or drama, every cartoon has its own way of picturing the world.
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